How notes are named
Notes repeat in octaves and are named A to G, with sharps and flats in between. To show which octave a note sits in, most voice teachers and apps add a number. Middle C, the C near the center of a piano keyboard, is C4. The C an octave higher is C5, the one an octave lower is C3, and the notes from middle C upward are D4, E4, F4 and so on up to B4.
Test your range
- Warm up first with the ten-minute routine. A cold voice gives a smaller range.
- Use a keyboard, a piano app or a tuner app that shows the note you sing.
- Start on a comfortable note in the middle of your speaking voice and sing "ah" or "ee". Note its name.
- Go down one note at a time. Stop at the lowest note you can sing with a clear tone, without growling or pressing your chin down.
- Go back to the middle and move up one note at a time. Stop at the highest note you can sing without straining, squeezing or shouting. A light, soft note counts.
- Write down both notes and the date, then test again in a month or two.
The notes you can only just reach make up your full range. The notes you can sing easily, again and again, through a whole song, are your comfortable range. Choose songs that stay mostly inside the comfortable part.
Voice types at a glance
- E4E2Bass: about E2 to E4
- A4A2Baritone: about A2 to A4
- C5C3Tenor: about C3 to C5
- F5F3Contralto: about F3 to F5
- A5A3Mezzo-soprano: about A3 to A5
- C6C4Soprano: about C4 to C6
Each beam runs from the lowest to the highest note usually given for that voice type. The gold line is middle C (C4). Sources differ by a note or two, and most beginners sing comfortably in a smaller span.
| Voice type | Typical range, about | Usual choir part |
|---|---|---|
| Soprano | C4 to C6 | Soprano |
| Mezzo-soprano | A3 to A5 | Alto or soprano |
| Contralto | F3 to F5 | Alto |
| Tenor | C3 to C5 | Tenor |
| Baritone | A2 to A4 | Bass, or tenor in some choirs |
| Bass | E2 to E4 | Bass |
These ranges come from classical and choral tradition, and different sources give slightly different notes. Many people sit between two types, and pop, rock and musical theater singers often use other labels or none at all.
Should you pick a voice type?
For most beginners, not yet. Range is only one clue. Teachers also listen to the color of the tone, where the voice changes gear, and which notes feel easiest over long stretches. Ranges also tend to grow with practice in the first months. Use your comfortable range to choose songs, and leave the label until a teacher or choir director has heard you sing.
Registers and the break
Most voices have a lower register that feels close to the speaking voice, often called chest voice, and a higher, lighter one, often called head voice or, in lower voices, falsetto. Many beginners hear a crack or flip where one turns into the other. Gentle slides on lip trills, a straw or "ng" help smooth the change over time. Avoid forcing chest voice higher to dodge the break, since that is a common cause of strain.
Change the key to fit your voice
If a song sits too high or too low, sing it in another key. Many karaoke and backing track apps can shift the key up or down, and printed songbooks often come in high, medium and low editions. Moving a song down two or three half steps can turn a strained chorus into an easy one, and nobody listening will mind.
More guides
Breathing for singing
How low, steady breath carries your voice, with four simple exercises.
Cue 02A ten-minute warm-up
Body, breath, humming, lip trills, sirens and scales, in that order.
Cue 03Look after your voice
Everyday care, signs of strain, and when to see a doctor.
Cue 05Sing in tune
Match a note, learn the steps of a scale, and check yourself with recordings.
Cue 06Build a practice routine
A twenty-minute session, a weekly plan and a way to learn new songs.
Cue 07Sing for other people
Nerves, microphone basics, karaoke, open mics and community choirs.
Cue 08Record at home
Room, microphone, levels and headphones for clear recordings of your voice.